ATLANTA FILM FESTIVAL + CREATIVE CONFERENCE ANNOUNCES 2021 AWARD WINNERS AND EVENT RESULTS

ATLANTA, GA (May 14, 2021) — The 45th annual Atlanta Film Festival + Creative Conference (ATLFF) is proud to announce the award winners for the 2021 festival, which took place from April 22, 2021 – May 2, 2021. Additionally, ATLFF is pleased to share event facts and figures resulting from its unique hybrid blend of both virtual and in-person presentations throughout this year’s festival. 

Today’s announcement recognizes filmmakers in 12 categories for their achievements and cinematic excellence. Winners of the Narrative Short, Animated Short and Documentary Short Jury Awards not only proudly took home their awards, but now also qualify for the 2022 Academy Awards®. ATLFF is one of less than twenty U.S. film festivals that is Academy Award®-qualifying in all three shorts categories: Narrative Short, Documentary Short, and Animated Short. 

Most award winners were chosen by distinguished jurors from all backgrounds across the film industry. They include Ali Kareem, a screenwriter and director whose first short film, “Hassan in Wonderland,” has been screened at many film festivals all around the world; Jason Orr, an award-winning documentary filmmaker most notably known as the director, writer and producer of the award-winning documentary film, “FunkJazz Kafé: Diary Of A Decade;” Keisha Rae Witherspoon, a Jamaican-American independent filmmaker who was named one of Filmmaker Magazine’s “25 New Faces of Independent Film 2020;” Gabriela Díaz Arp, an independent producer and filmmaker whose most recent virtual reality film premiered at the 2018 Tribeca Film Festival and screened at Cannes NEXT and the Sheffield Doc Fest; among over a dozen others. The Audience Awards were determined by both virtual and in-person attendees. 

2021 ATLANTA FILM FESTIVAL AWARD WINNERS

Best Documentary Feature:
CARTERLAND directed by Jim Pattiz & Will Pattiz

Special Jury Award for Artistic Spirit and Ingenuity - Documentary Feature:
SOCKS ON FIRE directed by Bo McGuire

Best Narrative Feature:
CULPA directed by Ulrike Grote

Special Jury Award for Rising Director and Lead Actor - Narrative Feature:
LUDI directed by Edson Jean, starring Shein Mompremier

Best Animated Short:
UN DIABLE DANS LA POCHE, directed by Antoine Bonnet & Mathilde Loubes 

Best Documentary Short:
SEAHORSE directed by Nele Dehnenkamp

• Honorable Mention - Documentary Short:

SCARLET MEDUSA directed by Spencer MacDonald

Best Narrative Short:
THE DRESS directed by Tadeusz Lysiak

• Honorable Mention - Narrative Short:

  ANITA directed by Sushma Khadepaun

• Honorable Mention - Narrative Short:

  BORN AGAIN directed by Candice Onyeama

• Honorable Mention - Narrative Short:

  GEORGIA directed by Jayil Pak

Best Cinematography (Sponsored by Panavision and Light Iron):
OFF THE ROAD cinematography by Ernesto Trujillo

• Honorable Mention - Cinematography:

  SOCKS ON FIRE cinematography by Matt Clegg  

Georgia Film Award:
bustitOpen directed by Danielle Deadwyler

Filmmaker-to-Watch Award:
Justice Jamal Jones ("How to Raise a Black Boy”)

Southern Documentary Fund Filmmaker Award (Presented by the SDF):

• SOCKS ON FIRE directed by Bo McGuire

• TEN LEAVES DILATED directed by Kate E. Hinshaw, co-directed by Ebony Blanding

 Audience Award Winners:

• SOCKS ON FIRE directed by Bo McGuire

• A FIRE WITHIN directed by Christopher Chambers

• JUST THE TWO OF US directed by Grasie Mercedes, co-directed by Nathan Caywood

• GEORGIA directed by Jayil Pak

From a record-breaking 9,500+ submissions, ATLFF selected 170 works, a mix of narrative and documentary feature-length films, short films and creative media, for the 2021 festival. Of the selected works, 53 percent were submissions with women and gender non-conforming directors, 15 percent had ties to Georgia and approximately 50 percent were directed by a person of color. In addition to the selected programming, ATLFF held 12 Marquee screenings and 35 Creative Conference events.

Shifting to a hybrid model with socially distanced in-person screenings, drive-in screenings and digital screenings, the 2021 event drew in approximately 23,000 total attendees. Over 1,600 people attended 17 indoor screenings held at The Plaza Theatre and 24 drive-in screenings held at two venues (The Plaza, Dad’s Garage) during the 11-day festival. An additional 12,000 people streamed screenings from ATLFF’s virtual catalog of 60 films and 35 Creative Conference workshops, panels or Masterclasses. 

With many of the in-person and drive-in screenings selling out, the virtual presentation of the film catalog also proved to be a success. More than five months’ worth of content was streamed during the festival, with viewers in all U.S. states, including District of Columbia, and 19 countries across five inhabited continents. The virtual format also allowed for over 80 festival filmmakers and 59 industry experts and professionals to participate in the Creative Conference.

A full list of jury members with brief biographies is included below, as well as film information for all award winners and honorable mentions. 

The 46th annual Atlanta Film Festival + Creative Conference is set to take place from April 21, 2022 – May 1, 2022. ATLFF is currently accepting submissions for the 2022 festival. More information can be found at www.AtlantaFilmFestival.com. 

JURORS

NARRATIVE FEATURE JURY

CLAIRE CIFELLI (IFC Films)
Claire Cifelli is a marketing manager at IFC Films, where she leads theatrical and home entertainment campaigns for award-winning independent cinema. She collaborates with filmmakers, artists, exhibitors, and grassroots organizations to help support dozens of releases a year. In 2019, she served as IFC Film's creative lead for The Nightingale's "Breathtaking" trailer, which earned a gold award from Clio Entertainment. Her current and upcoming projects include Moffie, The Dry, and The Nowhere Inn.

BRETT ROGALSKY (Gravitas Ventures)
Brett is the Manager of Acquisitions at Gravitas Ventures. A massive cinephile, he strives to bring strong independent content to a wide audience. He’s proudly a Pittsburgh native, and graduated from the Roy H. Park School of Communications at Ithaca College with a degree in Cinema and Photography.

ALI KAREEM (Filmmaker)
Ali Kareem, born in 1984, is an Iraqi / German screenwriter and director. In 2011, he graduated as theater director from the Academy of Fine Arts, Baghdad University. In 2016, he completed his master "Choreography and Performance" at the Institute for Applied Theatre Studies, at Gießen University (Germany). His first short film HASSAN IN WONDERLAND has been screened on many film festivals all around the world including Palm Springs Film Festival and Short Short Film Festival. Ali Kareem works as program advisor for Film Festivals and he is part of the selection committee of the Arab Festival San Francisco.

DOCUMENTARY FEATURE JURY

CHRIS CAMPBELL (Film School Rejects)
Christopher Campbell is a Senior Editor at Film School Rejects and the founding editor of Nonfics as well as a regular contributor to Fandango, Rotten Tomatoes, Oz Magazine, and others. A transplant from the Northeast, he has been writing film criticism and covering entertainment news since the early 2000s and has specialized in documentaries for the past decade. In addition to being a member of the AFCC, he is the President of the Documentary Branch of the Critics Choice Association, for which he leads the annual Critics Choice Documentary Awards.

CAMERON SWANAGON (Oscilloscope Laboratories)
Cameron has been an Oscilloscope Laboratories loyalist since his days slinging DVDs at a video rental shop, and as an employee for the last six years, most recently coordinating with festivals. He sustains mainly on top-ramen and drinks his coffee black.

 JASON ORR (Filmmaker, ATLFF Alum)
Jason Orr is an award-winning documentary filmmaker, marketing consultant, cultural arts curator and festival producer, most notably, FunkJazz Kafé Arts & Music Festival and Life Arts Documentary Film Festival + Music Conference. He's the director, writer and producer of the award-winning documentary film, "FunkJazz Kafé: Diary Of A Decade", producer of the award-winning "Maynard" documentary on former Atlanta mayor and visionary, Maynard Jackson, producer/director of "Stepping Into Tomorrow' and director of "Hoodwinked: The Nigga Factory", a web series produced by Speech of Arrested Development. Orr has also produced and directed short films and music videos with several mainstream artists such as Meshell Ndegeocello, UK artist Omar Lye-Fook, Dionne Farris and Van Hunt. On screen, Orr has appeared as himself on TV One's hit series, "Unsung" and Centric's "Leading Ladies - India Arie", providing expertise commentary on music and social history. In 2014, he received a proclamation from the City Of Atlanta for his contributions to the city's music, film and cultural arts communities.

 NARRATIVE SHORT JURY

KEISHA RAE WITHERSPOON (Filmmaker, ATLFF Alum)
Keisha Rae Witherspoon is a Jamaican-American independent filmmaker currently based in South Florida, her birthplace. Her work is driven by interests in science, speculative fiction and fantasy, as well as documenting the unseen and unheralded nuances of diasporic people. She was named one of Filmmaker Magazine's "25 New Faces of Independent Film 2020". Her most recent film T has screened at BlackStar, Sundance and Berlinale, where it won the Golden Bear. It closed its festival run at New Directors/New Films and is currently streaming on The Criterion Channel. She is currently writing a Black sci-fi set in Opa-locka, Florida. This will be her feature directorial debut.

BOB MONDELLO (NPR)
Bob Mondello has reviewed movies and reported on arts and culture for NPR’s All Things Considered since 1984. Before becoming a critic, he headed the public relations department for a Washington DC cinema chain.

SHIRA ROCKOWITZ (Sundance Institute)
As Director of Creative Producing and Artist Support in the Feature Film Program at Sundance Institute, Shira leads the organization’s strategy for supporting emerging independent fiction producers, screenwriters, and directors. Prioritizing inclusion and underrepresented voices, she devises programs that encompass creative/professional development, granting, mentorship, and industry engagement to help artists advance their work and build enduring careers. Recently supported films include The 40-Year-Old Version, Farewell Amor, Nine Days, The Farewell, and Sorry to Bother You. Previously, Shira was Director of Development and Production at Exclusive Media and a co-producer on John Carney’s Begin Again. She has also held positions at New Regency, Paramount Vantage, and Fine Line Features / New Line Cinema. Shira is a graduate of Northwestern University and holds an MFA from the Peter Stark Producing Program at the University of Southern California, where she is an adjunct lecturer.

DOCUMENTARY SHORT JURY

MORRISA MALTZ (Filmmaker, ATLFF Alum)
Morrisa Maltz is an artist and filmmaker. She holds a BA in Fine Art from Columbia University. Her work has been shown at MOCA, MCASB and galleries internationally. Her first film, THE CARETAKER, won Best Live Action Short at the 2012 LES Film Festival in New York. Her second film, ODYSSEA, premiered at Slamdance in 2014. Morrisa’s first feature documentary, INGRID, premiered on PBS last spring and is distributed by Grasshopper Film. INGRID was a 2018 Festival Gem, and featured on Hammer to Nail’s top 20 films of 2018 as well as articles by The Sundance Institute and Movie Maker Magazine. She is currently finishing post production of her first narrative feature, THE UNKNOWN COUNTRY. Morrisa is a 2018/2019 AFS North Texas Pioneer grant recipient and was included in the IFP Narrative Lab 2019 US in Progress Poland and the 2019 AFS Artist Intensive.

GABRIELA DÍAZ ARP (Filmmaker, ATLFF Alum)
Gabriela Díaz Arp is an independent producer and filmmaker passionate about developing films and art that strengthen the human connection. Her most recent virtual reality film, Meeting a Monster, exploring the memories and motivations of former white supremacist Angela King, premiered at the 2018 Tribeca Film Festival. It has also been shown at Cannes NEXT and the Sheffield Doc Fest. She's currently working on a documentary about a multi-generational family of women in Puerto Rico creating a science fiction film as a way of healing from gender-based violence and abuse.

DREW SCHWARTZ (VICE)
Drew Schwartz is a staff writer at VICE, where he covers the music and film industries. While he now lives in New York, he was born and raised in Atlanta.

ANIMATED SHORT JURY

JANE SAMBORSKI (Animator)
Jane Samborski is the Animation Director for Cryptozoo, winner of the Sundance Innovator Award. She is the Lead Animator for My Entire High School Sinking into the Sea, and her work has appeared in multiple documentaries as well as the Netflix series 13 Reasons Why. She currently resides in Richmond, VA. with her filmmaking partner and husband, Dash Shaw, and their daughter.

JAK WILMOT (Disrupt, ATLFF Alum)
Jak Wilmot is the founder of Disrupt - an internet studio creating YouTube & Virtual Reality content.

ASHLEY KOHLER (Awesome Incorporated)
Ashley Kohler is the multi-hyphenate head of motion design and animation studio Awesome Incorporated. Ashley launched Awesome Inc in 2006 after eight years at Cartoon Network, bringing both experience and artistry to the company’s foundation. Supervising both creative and production, Ashley’s hands-on approach can be seen throughout Awesome Inc’s distinctive body of work and visionary team of talent. Ashley’s creativity, attention to detail and ardor for animation help distinguish Awesome Inc in the crowded field of content creation. 

Ashley has led teams on over 150 episodes of series animation for networks like Adult Swim, Hulu and IFC, while also supervising commercial, promo, and packaging projects for clients including FX, Cartoon Network, Wieden+Kennedy, and Nickelodeon. She is passionate about improving diversity in animation and empowering artists throughout the Southeast, and serves on the board of directors for ASIFA South.

CINEMATOGRAPHY JURY

AMBER L.N. BOURNETT (Cinematographer, ATLFF Alum)
Amber L.N. Bournett is an award winning cinematographer & director based in Atlanta. While studying Fine Art & Film and Video at Georgia State University, Bournett co-founded independent production company House of June. She then served as a videographer under an indie music label. Bournett gained training as a camera prep technician at Commander Lighting and Grip, before joining the union as a camera assistant. As an independent filmmaker, Bournett has served as cinematographer and co-director to several award winning short narratives. In addition to national festival screenings, several of her narratives have screened internationally. Her ATL Airport Shorts triptych, LEVITATE, LEVITATE, LEVITATE, was selected for Cannes Shorts through the THEA program. Amber has contributed additional photography for feature films, documentaries, and series including BET (“Tales”), HBO (UNITED SKATES OF AMERICA), and independent feature HIS, HERS AND THE TRUTH. Bournett was also a 2019 participant of the AFI Female Cinematographer Intensive. 

KRISTIAN ZUNIGA (Cinematographer, ATLFF Alum)
Kristian Zuniga came up in Atlanta working on music videos for artists like Future, Migos, Run The Jewels, Young Thug, Young Jeezy and many other local legends. He quickly found his way into branded docs and commercials. Within the last two years he's transitioned into the feature world having shot Depeche Modes "Spirits In The Forest", which premiered in theaters in November of 2019 and most recently BEAST BEAST which premiered at Sundance in 2020. 

SAM ELLISON (Cinematographer, ATLFF Alum)
Sam Ellison is a cinematographer, director and camera operator based in New York City. He was nominated for the SOC’s Camera Operator of the Year Award for his work on A Beautiful Day in the Neighborhood (2019). His debut feature documentary, Chèche Lavi (Looking for Life), premiered at the International Film Festival Rotterdam in January 2019, winning Best Cinematography at the Atlanta Film Festival 2020 and Best Documentary Director at RiverRun 2020. Chèche Lavi has played at more than 40 festivals around the world. Sam’s recent camera credits include work on I Know This Much is True (2020), Academy Award winner Manchester By The Sea (2016), The Devil All The Time (2020), Vox Lux (2018), and the television series Severance (2021). He received his BA from Harvard in 2008 and his MFA from Stanford in 2017.

The 2019 Atlanta Film Festival Recap

An entire month’s passed since the 43rd annual Atlanta Film Festival (ATLFF) brought together nearly 30,000 passionate filmmakers and cinephiles for 11 days of cultural discovery, artistic growth and opportunity. We gathered everywhere from the beautiful, sunlit fields of the BeltLine to the familiar comfort of the historic Plaza Theatre and enjoyed everything from creative films and shorts to groundbreaking experimental media, music videos and insightful discussions led by filmmakers from all over the world. The sheer number of things happening at any given moment forced attendees to pick and choose which events to attend at the cost of missing others.

For those who want to relive the festival or simply missed out, here are some ATLFF ‘19 highlights.

It’s a Beautiful Day in the Neighborhood

The Plaza Theatre celebrates Georgian filmmakers.

Georgia’s tax incentive may bring big-name, big-budget productions to our burgeoning Peach State, but our indigenous filmmaking community continues to create films worthy of acclaim. Of the record-setting 8,000+ films and screenplays submitted to this year’s festival, works created by Georgia filmmakers ranked among the finest. We were thrilled to showcase them during ‘It’s a Beautiful Day in the Neighborhood,’ a block comprised entirely of short films created by Georgian filmmakers.

Filled with narrative, documentary, and animated films that left the entire Plaza Theatre enraptured, engaged, and inspired, the shorts were so great we watched them twice!

Opening Night Presentation: THE FAREWELL

Lulu Wang (left) and Nora “Awkafina“ Lum (right) walk the red carpet.

If local filmmakers kicked off the festival, then writer/director Lulu Wang shifted the event into high gear. Anticipation for the opening night screening of THE FAREWELL built steadily as both Wang and lead actress Awkwafina made red carpet appearances.

Wang and Awkwafina introduce The Farewell.

Lulu Wang and Awkwafina jump onstage afterwards for a Q&A.

After the iconic duo excitingly introduced the movie, THE FAREWELL immediately grasped the entire audience with its beautiful cinematography. However, the narrative was what truly kept us engrossed in the film throughout its 98 minute runtime. By juggling relatable themes of identity and cultural heritage with humor and wit, the film provided an authentic glimpse into a Chinese family's unique struggle to cope with the impending loss of a beloved family member.

Wang and Awkwafina returned to the stage after the film’s conclusion for an insightful Q&A; Wang divulged how her family inspired the film, and Awkwafina shared her on set experience with the crowd.

Georgia Film Award Winning Film: RECKONING

It was only the third day of the festival and the streets of Ponce and Highland came to halt when filmmakers Ruckus and Lane Skye graced the Plaza Theatre with their feature film, RECKONING. The line wrapped around the building with audience members lining up for the film hours before the start of the film. Ruckus and Lane along with the cast of the film arrived smoothly, just in time for some red carpet photos and interviews. Georgia is definitely proud to be the home of such talented and humble filmmakers.

Lane and Ruckus Skye bring the cast of RECKONING to ATLFF.

Joe Berlinger Wins Inaugural Originator Award

Joe Berlinger visits the red carpet.

Following up immediately after RECKONING, Joe Berlinger dropped in for an appearance. Before screening his new film, EXTREMELY WICKED, SHOCKINGLY EVIL AND VILE, ATLFF presented its first ever Originator Award to director Joe Berlinger. With an illustrious filmography including the lauded and catalytic PARADISE LOST, the award celebrates Berlinger’s career in the spirit of originators like Burt Reynolds, Jermaine Dupri, and Tyler Perry--those who set out to do things unlike anything anyone’s ever done before. Humbly accepting the award, Berlinger unveiled his love for Atlanta and eventually dedicated the award to the late Bruce Sinofsky, with whom he managed to change the face of documentary filmmaking.

You can stream EXTREMELY WICKED, SHOCKINGLY EVIL, AND VILE on Netflix here.

Creative Conference

Jen West (left most) talks directing with documentarians (left to right) Tim O’Donnell, Kristian Melom, Giovanna Giovanini, and James Martin.

Because there are so many factors and moving parts within the filmmaking process, there is always something new to learn. Creative Conference kicked off bright and early, Monday morning. Individuals looking to hone their craft at ATLFF ‘19 looked no further than the Creative Conference. Comprised of 40 educational events designed to disperse knowledge from the industry’s professionals to the aspiring filmmaker throughout the week, the conference covered nearly every stage of the process.

Linda Burns (left) and Tom Luse (right) share a conversation.

Through free-flowing conversations with actors, directors, and producers who’ve found success and panels supplying professional insight, we improved everything from our projects’ initial stories and pitches to their eventual licensing and distribution. The week was filled with gems from local filmmakers to Oscar and Emmy award winning producers.

The Satanic Temple Visits ATLFF

It’s not everyday you’re presented the opportunity to learn about the Satanic Temple from Satanists themselves, but this Wednesday was the day! HAIL SATAN?!, a delightfully off-kilter documentary feature by acclaimed documentarian Penny Lane, explores one of, if not the most controversial religious movements in American history. In chronicling the rise of the widely misunderstood Satanic Temple, the film sheds light on the religion’s true cause and noble intentions. Lane characterizes the Temple by characterizing its members, specifically Lucien Greaves. Greaves’ made-for-camera personality and Lane’s emphasis of irony inject the film with a humor that left the entire audience with split sides. However, the night didn’t end when the film did; once the credits rolled, members of the front row introduced themselves as part of the Atlanta Chapter of The Satanic Temple! Three stepped onto the Dad’s Garage stage to take questions from the audience, revealing a deeper, self-reflexive view of the Temple.

SOUND+VISION

WHOAA treat SOUND+VISION to an unforgettable performance.

Jacob Velcoff leaves his mark on ATLFF’ 19.

Having missed it during ATLFF ‘18, this year’s festival saw the mid-week event return with something for everyone. Complete with live performances from WHOAA and Jacob Velcoff, SOUND+VISION brought together virtual reality films, music videos, and food providing a near sensory overload. ATLFF took over! Free and open to the public along the Eastside Trail of the Atlanta BeltLine and the Historic Fourth Ward Park, the event provided an opportunity for families and friends to celebrate a wonderful evening with beautiful art and delicious food.

Awards Brunch Recap

Filmmakers from all over the globe gathered to receive awards and recognition for their tremendous films.

Jocelyn DeBoer and Dawn Luebbe snatch Best Narrative Feature.

Tomer Heymann takes home Special Jury Award.

Best Narrative Feature – GREENER GRASS

Best Documentary Feature – THE FOURTH KINGDOM (EL CUARTO REINO)

Best Narrative Short - SIRENE

Best Documentary Short – KAMALI

Best Animated Short – HENRIETTA BULKOWSKI

Georgia Film Award – RECKONING

*For full list of awards click here.

Closing Night Presentation: THEM THAT FOLLOW

All good things must come to an end, and when they do, it’s usually depressing. Yet, the end of ATLFF ‘19 was more joyous than sad, because it brought with it the festival’s trademark closing night festivities. The 43rd annual Atlanta Film Festival concluded with a showing of THEM THAT FOLLOW. As the first feature film from writer/directors Britt Poulton and Dan Madison Savage, the star-studded film memorably closed out the already unforgettable festival.